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Renowned Welsh potter,
Frank Hamer, has been playing with clay, glaze and fire for over
60 years and has been enthusiastically concentrating on plates
for the past 16 years. The plates incorporate his interests in
drawing, painting and decoration and he uses swimming fish for
imagery almost exclusively. This is a small sample of current
stock. Please contact us if you are seeking a particular fish. |

SHUBUNKIN
* sold
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SOLDIER FISH |

CARP
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STICKLEBACKS
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CONEY
*sold |

WELSH CHAR
* sold |
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Each plate is unique and carries Frank's studio
stamp. The plates come ready to hang on the wall as ceramic art
or they can be placed on a flat surface as a piece of sculpture.
All the plates are made to be used, though they are not
dishwasher safe. |
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Whilst every effort is made to
keep Frank's page up to date, his work is in constant demand and
sometimes plates come in and never get to the web! If you are
looking for a particular fish, please contact us and we can
check what is available. |
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Frank draws the fish on
newspaper and cuts them out to create distinctive flat shapes.
These are used to resist coloured slips to create the
decoration. Some plates have as many as ten layers of slip
brushed on to them and have other pigments applied before being
glazed and reduction-fired to stoneware at 1250°C.
Whilst fish can curve
their bodies from side to side, they have restricted movement in
flexing up and down as seen in a side view. Artists have always
taken liberties with this up and down curve to give the
impression of a swimming movement. Frank follows this precedent
and also accentuates the proportions and emphasises details to
establish character. The eyes especially are humanised, an
anthropomorphic device used 3000 years ago in the Middle East.
Fish plates have a long pedigree!
Frank says that the
plates should be read on four levels – as plates; as overall
decorative objects; as specific imagery and last, but by no
means least, as ceramic happenings. The plates can be either
hung on the wall as decorative objects or used to serve food.
Frank has had many
exhibitions, both solo and group, and his work is highly
regarded and extremely collectable. Consequently it is held in
many prominent collections.
Since leaving full-time pottery teaching Frank has concentrated
on making pots, researching, writing and guest lecturing.
Together with his wife Janet, he is the co-author of the ceramic
world’s standard text – “The Potter’s Dictionary of Materials
and Techniques” which is now in its fifth edition. See our
Links page for more details. He has
also co-written “Clays” for Pitman/Axner and contributes to
industry publications such as ‘Ceramic Review’, Crefft/Craft and
Shards magazine. |
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